Ayaan Hirsi Ali is in town and we have seen the predictable reaction from various representatives of the Muslim community. Yawn.
Whats more disconcerting is the criticism Hirsi Ali has received, particularly in Europe, from various intellectuals and philosophers, cultural relativists in-denial and morally obtuse apostles of the coming great Multiculturalist Utopia, some of whom had the gall to call her an “Enlightenment fundamentalist”. This attack on Hirsi Ali, and the accompanying championing of “moderate Islamist” Tariq Ramadan was the subject of a momentous debate I posted about earlier, which serves as the background for this post.
The cover story of the current issue of The New Statesman is called “Who’s afraid of Tariq Ramadan?” (and doesn’t Ramadan ever look the part of a modern philosopher?), by Paul Berman, and contains the most erudite, complete and clear defense of Ayaan Hirsi Ali against the lot above, yet. The whole essay is very long, broken up over 12 pages, so I recommend heading straight for the “print” version, which allows you to view it in one page. Feel free to search the page for “Ayaan” to get the relevant part (not that the whole thing is not worth reading, it is).
Here’s Berman’s explanation of why these people attack Hirsi Ali:
If you open either of her books and read a few lines at random, you will discover one reality that you would hardly guess from reading those attacks. Buruma–and he is not the only one to do this–presents Hirsi Ali as a diehard enemy of Islam, dedicated to hurling insults, which, to be sure, she does do, and with gusto. But this is not her major theme. In her books, and in the little film that she made with van Gogh, she dedicates herself mostly to something else, and that is to describe and to decry the miseries of women in the portion of the Muslim world that she knows best–in East Africa and Saudi Arabia, together with the immigrant zones of Europe. Her account of her own genital mutilation as a little girl, and of the botched genital mutilation of her sister, and the sister’s tragic life and suicide; her portrait of girlhood and marriage in Somalia, Kenya, and Ethiopia, not to mention her own forced marriage, which she fled; the portrait of her grandmother, the Somali nomad, and the patriarchal customs of the past, which do seem to have lingered on; her sense of horror, as a girl, at seeing the women of Saudi Arabia for the first time, these women who have no faces because of their veils and whose black garments hang so shapelessly upon their bodies that, in order to know which way the women are facing, you have to look to see which way their shoes are pointing; her account of the shelters for abused Muslim women in Holland; her account of the terrors of refugee existence, and the double terrors of refugee existence for women–all these passages express something that can never be detected in a certain kind of high-minded cerebral journalism today. It is a visceral anger at oppression. A moral indignation, and not just a wistful pragmatism.
But mostly these passages in Hirsi Ali’s books raise the issue of women’s rights, and not from an outsider’s point of view, regardless of how many times she has been denounced for making herself an outsider to Muslim life. Hers is a story marked by knives–the knife at her own genital mutilation, and at her sister’s; the knife at the murder of her friend and colleague, pinning to his chest the sheet of paper threatening her own life. This is not a Swiss professor! Here is the actual insider; the real thing. I suppose that all this unironic indignation can only be annoying in the extreme to a certain kind of refined sensibility. Something about those knives takes away the quality of abstraction that allows a social issue to be shrugged off. It is always good to be subtle and nuanced, but Hirsi Ali’s writings have the effect of making a large number of nuanced subtleties look ridiculous.
About Hirsi Ali we do not have to wonder: where does she stand on the question of stoning women to death? Or on the obligation for husbands to beat their wives? Read one page by her and you will know the answer; and if you read two pages, you might begin to suspect that, on the television screens of France, the man who defended the oppressed of the oppressed in the poorest neighborhoods of Europe was Nicolas Sarkozy. But that has got to be the problem from a perspective like Buruma’s. This talk of women’s rights–doesn’t it point ultimately in directions that ought to be regarded as (here is the mystery of our present moment) conservative? Better the seventh century than Nicolas Sarkozy.
If there is an intellectual establishment, and I suppose there is, the attacks on Hirsi Ali radiate from its center. And this, the campaign against Hirsi Ali–this, like the anti-Semitic mob assault during the Paris peace march of 2003, or like the spectacle of millions of Britons marching under the leadership of an Islamist organization, or like the calm discussions in The New York Times of why it would be wrong to condemn with any vigor the stoning of women to death–this does represent something new. Here is the new development among journalists and intellectuals, the development that Ramadan’s career has served to illuminate. Something like a campaign against Hirsi Ali could never have taken place a few years ago. A sustained attack on an authentic liberal dissident crying out against injustices in remote parts of the world and even in the back streets of Western Europe, a sustained attack that appears nearly to have erased the very mention of women’s oppression and the struggle for women’s rights from discussion–no, this could not have happened yesterday, except on the extreme right. This is a new event. This is a reactionary turn in the intellectual world.
And delving deeper, past “the reactionary turn”, we happen upon a nose-dive:
[the French writer Pascal Bruckner] wrote a criticism of the leftist doctrine that in [the seventies] was still known as “Third Worldism”–meaning the hope and the expectation that, around the world, the impoverished countries, the former colonies and semi-colonies, would generate, as an aspect of their struggle against Western imperialism, a worldwide revolutionary alternative, a soulful new kind of socialism, a new and revolutionary culture. This was the doctrine that venerated revolutionary leaders such as Mao, Ho Chi Minh, and Fidel Castro not because they were communists but because they were the leaders of the Third World revolution.
But Bruckner, in writing about the “Third Worldist” idea, noticed that among the good-hearted leftists of the Western countries, sympathy for oppressed people in the former colonies had turned into a kind of dehumanizing contempt for the oppressed people in the former colonies, without anyone having noticed. He called his book The Tears of the White Man, and in its pages he served up a spectacular exposé of left-wing European clichés about the poor and the oppressed in faraway places–an enormous catalogue of Noble Savage imagery and other fantastical pictures of the superior qualities of downtrodden people in poor countries, compared with their former oppressors in Europe. The book was a demonstration of how, through a combination of guilty consciences and patronizing ignorance, the European intellectuals had ended up re-creating the worst sorts of racist and colonialist imaginings of what people in other places and with other skin tones must be like: their wisdom, virtue, selflessness, brilliance, and, above all, their profound quality of being different.
Bruckner has returned to this topic from time to time over the years, and just last year he came out with a sequel called La Tyrannie de la Pénitence, or The Tyranny of Penitence, updated to our own age, in which the “Third World” of yore has been renamed the “south,” and the imperialists have been renamed the forces of globalization. And the sequel has led Bruckner to take a new glance at how, in our own time, the progressive intellectuals of the Western countries, out of a continuing self-contempt and feeling of guilt for the Western crimes of the past, have likewise updated their fantasies about the wronged and inscrutable people of other regions without really changing them. Ian Buruma, because of his sundry books, was the ideal person for The New York Times Magazine to assign a profile on Tariq Ramadan; and Pascal Bruckner, because of his own books, has turned out to be the ideal person to write about Ian Buruma. Bruckner noted the peculiarities of Buruma’s campaign against Hirsi Ali. He took note of Timothy Garton Ash’s contribution to this campaign in The New York Review of Books. And Bruckner offered a philosophical analysis.
Buruma and Garton Ash, Bruckner concluded, had fallen for the intellectual miasmas of the postmodern sensibility, and the miasmas had led, via the errors of relativism and an indiscriminate multiculturalism, to the simplest of philosophical mistakes. This was the inability to draw even the most elementary of distinctions. In the postmodern idea, the Enlightenment has come to be looked upon as merely one more set of cultural prejudices, no better and very likely rather worse than other sets of cultural prejudices–a zealotry that is unable to control its own excesses. From this point of view, someone like Hirsi Ali, who grew up in an atmosphere of Islamist radicalism and the Muslim Brotherhood in Africa and has taken up a new outlook committed to rationalism and individual freedom, has merely gone from one fundamentalism to another–not much different, seen in this light, from van Gogh’s murderer.
